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Instagram, Target, and Tumblr: giaaeron:Added sound effects to this AMAZING animation by https://www.instagram.com/xabier.u/ with their permission… and I had a lot of fun doing it!
Instagram, Target, and Tumblr: giaaeron:Added sound effects to this AMAZING animation by https://www.instagram.com/xabier.u/ with their permission… and I had a lot of fun doing it!

giaaeron:Added sound effects to this AMAZING animation by https://www.instagram.com/xabier.u/ with their permission… and I had a lot of fun ...

Gif, Target, and Tumblr: SLENAEISHERS elenafishersps1: white-guy-blinking.gifthis took me for f*cking ever and it’s my first animation ever and i still hate the way it turned out but i’m DONE with it
Gif, Target, and Tumblr: SLENAEISHERS
elenafishersps1:

white-guy-blinking.gifthis took me for f*cking ever and it’s my first animation ever and i still hate the way it turned out but i’m DONE with it

elenafishersps1: white-guy-blinking.gifthis took me for f*cking ever and it’s my first animation ever and i still hate the way it turned ou...

Children, Clothes, and Fail: gaming: Indie Game Spotlight: Untitled Goose Game  Oh, boy, do we have an extra super horrible Indie Game Spotlight exclusive for you today! We’re talking, of course, of Untitled Goose Game, a slapstick simulator, where you play a goose hassling a town full of people who would very much like you to stop hassling them, please. It feels a bit like playing the videogame version of an old cartoon, complete with reactive soundtrack. Everything that happens in the game is very low stakes (the goose doesn’t get involved in political scandals, or drive a car off a ramp etc.), but there’s a lot of room for comedic performance in doing things like stealing clothes off a washing line and dumping them in a pond. The team at House House shares roles a lot, and so the game was predominantly designed collaboratively by four people. We chatted with Stuart Gillespie-Cook, who mostly works on animation. Also within House House is Jake Strasser, largely responsible for the design of levels and environments, Nico Disseldorp who does all the programming, and Michael McMaster who mostly works on art direction and UI. The iconic sound effects were made by Em Halberstadt, and Dan Golding designed the music. There’s also art from Kalonica Quigley and additional UI programming from Cherie Davidson. Stuart Gave us the lowdown on the curious title, the game mechanics, and dream crossovers. Read on! What’s the story behind the title of the game? This more or less happened by accident; at first, we just needed something to put on a video we were submitting to a festival. It’s become one of the best things about the game, and I’m so glad we stuck with it. I will say it’s a weird thing to explain when your very not-online hairdresser asks you “oh, what game are you working on?”  How did the team come up with the animation style? The whole visual style of the game is designed to be nice and clean, very readable and approachable. The animation specifically takes a lot of inspiration from slapstick and pantomime—with big, over the top reactions that are impossible to miss. We wanted to squeeze as much emotion as possible out of these people without facial expressions, so everything has to be evoked with body language. We also lean heavily on two dimensional, hand-drawn effects that are lifted from comics—lines to represent the direction of a honk, stars when someone hits their thumb with a hammer, etc. Untitled Goose Game offers a unique take on the puzzle genre. What other mechanics can we expect? Because it’s a game that’s largely about interacting with a bunch of people, the game borrows heavily from AI systems in stealth games. Playing with a character’s awareness of where the goose is, where they left their stuff, where that sound came from etc. is a big part of the comedy of the game. So, while it’s less restrictive than most stealth games, and there’s no real fail state (ie. if a character sees a goose, they’ll think “ah, there’s a goose” rather than “I’d better shoot and kill that spy”), those explicit behaviours that are so present in the stealth genre are really important in our goose game. If you could have the goose cross over into any cinematic or game universe, what would it be and why? It would be nice to see the goose chase Postman Pat over a hedgerow. That era of British children’s television has been a huge influence on the game. Otherwise, we’re always open to having the goose in Smash. Are you ready to fulfill your wildest dreams of becoming a mischevious goose and harassing people? Of course you are! Check out the website to find out how you can get your hands wings on Untitled Goose Game!
Children, Clothes, and Fail: gaming:
Indie Game Spotlight: Untitled Goose Game 
Oh, boy, do we have an extra super horrible Indie Game Spotlight exclusive for you today! We’re talking, of course, of Untitled Goose Game, a slapstick simulator, where you play a goose hassling a town full of people who would very much like you to stop hassling them, please. It feels a bit like playing the videogame version of an old cartoon, complete with reactive soundtrack. Everything that happens in the game is very low stakes (the goose doesn’t get involved in political scandals, or drive a car off a ramp etc.), but there’s a lot of room for comedic performance in doing things like stealing clothes off a washing line and dumping them in a pond.
The team at House House shares roles a lot, and so the game was predominantly designed collaboratively by four people. We chatted with Stuart Gillespie-Cook, who mostly works on animation. Also within House House is Jake Strasser, largely responsible for the design of levels and environments, Nico Disseldorp who does all the programming, and Michael McMaster who mostly works on art direction and UI. The iconic sound effects were made by Em Halberstadt, and Dan Golding designed the music. There’s also art from Kalonica Quigley and additional UI programming from Cherie Davidson. Stuart Gave us the lowdown on the curious title, the game mechanics, and dream crossovers. Read on!
What’s the story behind the title of the game?
This more or less happened by accident; at first, we just needed something to put on a video we were submitting to a festival. It’s become one of the best things about the game, and I’m so glad we stuck with it. I will say it’s a weird thing to explain when your very not-online hairdresser asks you “oh, what game are you working on?”  
How did the team come up with the animation style?
The whole visual style of the game is designed to be nice and clean, very readable and approachable. The animation specifically takes a lot of inspiration from slapstick and pantomime—with big, over the top reactions that are impossible to miss. We wanted to squeeze as much emotion as possible out of these people without facial expressions, so everything has to be evoked with body language. We also lean heavily on two dimensional, hand-drawn effects that are lifted from comics—lines to represent the direction of a honk, stars when someone hits their thumb with a hammer, etc.


Untitled Goose Game offers a unique take on the puzzle genre. What other mechanics can we expect?
Because it’s a game that’s largely about interacting with a bunch of people, the game borrows heavily from AI systems in stealth games. Playing with a character’s awareness of where the goose is, where they left their stuff, where that sound came from etc. is a big part of the comedy of the game. So, while it’s less restrictive than most stealth games, and there’s no real fail state (ie. if a character sees a goose, they’ll think “ah, there’s a goose” rather than “I’d better shoot and kill that spy”), those explicit behaviours that are so present in the stealth genre are really important in our goose game.
If you could have the goose cross over into any cinematic or game universe, what would it be and why?
It would be nice to see the goose chase Postman Pat over a hedgerow. That era of British children’s television has been a huge influence on the game. Otherwise, we’re always open to having the goose in Smash.
Are you ready to fulfill your wildest dreams of becoming a mischevious goose and harassing people? Of course you are! Check out the website to find out how you can get your hands wings on Untitled Goose Game!

gaming: Indie Game Spotlight: Untitled Goose Game  Oh, boy, do we have an extra super horrible Indie Game Spotlight exclusive for you today!...

Tumblr, Blog, and Ghost: wolfbear135: jamie-merry: A fun little ghost animation oH NO!
Tumblr, Blog, and Ghost: wolfbear135:

jamie-merry:

A fun little ghost animation

oH NO!

wolfbear135: jamie-merry: A fun little ghost animation oH NO!

Tumblr, Blog, and Good: MARGARITA A margaritash: I’ve finished the animation, but have realized that using complicated colors isn’t a good idea, it is really better to concentrate on lines.
Tumblr, Blog, and Good: MARGARITA
 A
margaritash:

I’ve finished the animation, but have realized that using complicated colors isn’t a good idea, it is really better to concentrate on lines.

margaritash: I’ve finished the animation, but have realized that using complicated colors isn’t a good idea, it is really better to concent...

Aladdin, Definitely, and Disney: Scott "Hug Honey" Fearichs Following @KaiserNeko Fun fact: I once asked Jeff Goode (creator of Jake Long: American Dragon) at a furry con, "How do you feel about people making lewd art of your characters?" He said, "Oh, Disney sat me down and showed me a bunch of Kim Possible porn and said, 'This will happen to your show." 10:50 PM 26 Oct 2018 19 Retweets 42 Likes t19 42 thedarksideoflimbo Three things I find hilarious about this: 1: Jeff Goode goes to Furry Cons 2: Disney acknowledges and prepares show creators that their show will, most definitely, become porn. 3: Disney has examples on hand of how said show will, most definitely, become porn faeforge Pffft!!!!! Disney doesn't just have examples of said porn!! Ok story time. Yeaaaars ago i dated an animator chick. During that short time together we ran around a lot and met a bunch of industry people in our area One of them used to work for Disney. So we are hanging out at his apartment and conversation being what it is he kinda says "hold on" and goes off to dig in the closet. He comes back and sets down a couple STACKS (and im talking foot high) of printer paper. What followed were a couple hours of hysterical laughing as we paged through "a history of Disney animation- porn edition" See Disney has this weird rule in their artist contracts- everything you create while in their employ is THEIRS. Even in the off time. Its one of the reasons they are reviled in the industry. But the rule was set in place to basically steal good ideas from their staff or force them to ONLY work on Disney ip's while employed.. The jokes on them though. They didn't count on most artists being giant perverts (this story is also why i laugh when people tell me drawing smut will 'ruin your art career') So! Disney being bastards ended up earning them smut of everything they've ever created. And also per their policies they had to keep it. Every artist knew about the smut vault and our buddy here had photocopied a chunk of it. Yes... 2-3 feet of smut was just a chunk of it Snow white? Rescue rangers? Goofy? Minnie? Micky? Beauty and the beast? Aladdin? Yup you name it it was there. Some of it was mild. The topless little mermaid stuff made sense at least. Some was raunchy as hell. ALL OF IT in the animation style of the films and shows. So yes, not only does Disney know there will be porn, have the porn, but they official porn You're welcome Source: maswartz 41 Tumblr Posts That Are Made To Improve Your Mood – Sarcasm
Aladdin, Definitely, and Disney: Scott "Hug Honey" Fearichs
 Following
 @KaiserNeko
 Fun fact: I once asked Jeff Goode (creator of
 Jake Long: American Dragon) at a furry con,
 "How do you feel about people making lewd
 art of your characters?"
 He said, "Oh, Disney sat me down and
 showed me a bunch of Kim Possible porn and
 said, 'This will happen to your show."
 10:50 PM 26 Oct 2018
 19 Retweets 42 Likes
 t19
 42
 thedarksideoflimbo
 Three things I find hilarious about this:
 1: Jeff Goode goes to Furry Cons
 2: Disney acknowledges and prepares show creators that their show will,
 most definitely, become porn.
 3: Disney has examples on hand of how said show will, most definitely,
 become porn
 faeforge
 Pffft!!!!!
 Disney doesn't just have examples of said porn!!
 Ok story time. Yeaaaars ago i dated an animator chick. During that short
 time together we ran around a lot and met a bunch of industry people in
 our area
 One of them used to work for Disney. So we are hanging out at his
 apartment and conversation being what it is he kinda says "hold on" and
 goes off to dig in the closet. He comes back and sets down a couple
 STACKS (and im talking foot high) of printer paper.
 What followed were a couple hours of hysterical laughing as we paged
 through "a history of Disney animation- porn edition"
 See Disney has this weird rule in their artist contracts- everything you
 create while in their employ is THEIRS. Even in the off time. Its one of the
 reasons they are reviled in the industry. But the rule was set in place to
 basically steal good ideas from their staff or force them to ONLY work on
 Disney ip's while employed..
 The jokes
 on them though. They didn't count on most artists being giant
 perverts (this story is also why i laugh when people tell me drawing smut
 will 'ruin your art career')
 So! Disney being bastards ended up earning them smut of everything
 they've ever created. And also per their policies they had to keep it. Every
 artist knew about the smut vault and our buddy here had photocopied a
 chunk of it. Yes... 2-3 feet of smut was
 just a chunk of it
 Snow white? Rescue rangers? Goofy? Minnie? Micky? Beauty and the
 beast? Aladdin? Yup you name it it was there. Some of it was mild. The
 topless little mermaid stuff made sense at least. Some was raunchy as hell.
 ALL OF IT in the animation style of the films and shows.
 So yes, not only does Disney know there will be porn, have the porn, but
 they official porn
 You're welcome
 Source: maswartz
41 Tumblr Posts That Are Made To Improve Your Mood – Sarcasm

41 Tumblr Posts That Are Made To Improve Your Mood – Sarcasm

Target, Tumblr, and Blog: -mbble laquilasse: really quick animation demonstrating tiny Timmy not being used to things like dadly teasing
Target, Tumblr, and Blog: -mbble
laquilasse:
really quick animation demonstrating tiny Timmy not being used to things like dadly teasing

laquilasse: really quick animation demonstrating tiny Timmy not being used to things like dadly teasing

Ass, Cinderella , and Click: kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.
Ass, Cinderella , and Click: kaylapocalypse:
 ok 
so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice.
The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific. 
I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture.
This scene in particular illustrates it especially well; particularly for being only like 1 minute long.
Highlights/Breakdown
The timing in the way Robin says savior and the way he says beast. 
the character solidifying disregard and disrespect of “Please! Monster!”
Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat
Just the entire french accent that isn’t even a good french accent at all.
The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background 
Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss”
shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit. 
“what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures. 
When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke
Fiona interrupting robin with a kick.
the fuckin sound his head makes when it hits the rock. 
The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef*
Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.

kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you shou...

Lazy, Tumblr, and Blog: artifiziell: Got some free time to finish this animation of my Moonstone~(i’ll add in their gems when i’m less lazy hahah ;;)[ commission info ]
Lazy, Tumblr, and Blog: artifiziell:

Got some free time to finish this animation of my Moonstone~(i’ll add in their gems when i’m less lazy hahah ;;)[ commission info ]

artifiziell: Got some free time to finish this animation of my Moonstone~(i’ll add in their gems when i’m less lazy hahah ;;)[ commission i...

Cute, Fucking, and Omg: meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg
Cute, Fucking, and Omg: meabeck:
theirroyalbiness:

lonely-boiii:
OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID

This is so cute and it’s so gorgeous omg

meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg

Cute, Fucking, and Omg: meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg
Cute, Fucking, and Omg: meabeck:
theirroyalbiness:

lonely-boiii:
OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID

This is so cute and it’s so gorgeous omg

meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg

Cute, Fucking, and Omg: meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg
Cute, Fucking, and Omg: meabeck:

theirroyalbiness:

lonely-boiii:
OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID

This is so cute and it’s so gorgeous omg

meabeck: theirroyalbiness: lonely-boiii: OKAY BUT HOLY SHIT THAT ANIMATION IS SO FUCKING FLUID This is so cute and it’s so gorgeous omg

80s, Adam Driver, and Adam Sandler: NO ONE WILL WATCH THIS No ONE WANTS7 /S UL JUL CARES FOA THIS its-bewitched: trilllizard666: keyhollow:Story matters more than sex, please always remember that. what’s funniest about this comic, I think, is the wildly inconsistent success or complete lack of in the properties and the vast, wild differences between how they were received in the run up to the premier of them as artistic/entertainment propertiesFiegbusters/Ghostbusters 2016 had a PR run that was mostly defined by a weird antagonism where they said detractors are just manbaby basement dwellers that hate women, along with pretty badly done trailers that people compared to Pixels. Remember Pixels? That awful Adam Sandler REMEMBER THE 80S vehicle/scam? That said, unlike Pixels, this Ghostbusters failed to make money. It flopped. It flopped terribly. So Strawman McGee was actually right, Nobody DID Watch This, besides weirdoes that used Holtzmann reaction gifs for a month and kept saying how gay they were for two of the lady Ghostbusters.Star Wars: The Force Awakens was a huge runaway box office success with people excited to see it, even though a lot of people were critical of Rey and how boring she was as a character, in comparison to Finn and Poe, who had a lot more interesting going on with their characters, respectively, and people were excited to see The Last Jedi. Then came the sequel. It was…still a financial box office success, but it was extremely divisive among Star Wars fans and any group of critics that aren’t deeply entrenched “establishment” film critics. And there’s rumors abound it wasn’t quite AS much a box office success as Disney would like, which along with Solo flopping, seems to have resulted in Disney pulling back their Star Wars output a little tiny bit. Possibly.Literally all the reasons that people were apprehensive about Wonder Woman pre-release were all reasons unrelated to her being a woman. She’s one of the most important DC superheroes, a founding member of almost all incarnations of the Justice League, and Frank Miller himself has called part of The Trinity of DC, along with Superman and Batman. People were apprehensive of a Wonder Woman film because almost all the previous attempts to bring Wonder Woman to film or TV have been some sort of disaster, from the Joss Whedon script that leaked that everyone took the absolute piss out of (which had a seriously troubled production that led to the Wonder Woman film we eventually got), to the horrible pilot that makes Wonder Woman into a bizarrely inconsistent crazed murderer. People were apprehensive of a Wonder Woman film because it was part of the badly executed DCEU, with the previous films before this including BvS and Suicide Squad, which were critically SAVAGED. People were looking at a Wonder Woman and dreading it cause they were like “oh god not another one of these fucking awful films”. and then Justice League afterwards was total dogshit. and yeah, there was a bit of controversy about Gal Gadot, but that’s from a mixture of people not being sure she could actually act well enough because she was mostly a model and was in a Fast and Furious film before this, and because she is a proud IDF member, which is kinda controversial because of all the baggage that comes with what the Israeli military frequently does in terms of war crimes. (granted, she was only ever in a non combat role when she served in the military, but come on, this website gave Adam Driver shit for joining the USMC and not doing anything combat related before he got a medical discharge cause he broke his collarbone lmao). it had nothing to do with being a woman.Literally nobody cares about She-Ra except for weirdoes into it, like the beanmouth manchildren animation adherents or the people that uniroically think SJWs are killing everything, and it’s a cheaply made Netflix show. You’d have to almost try on purpose to not make any money from a Netflix show with a low/modest budget. Also I know a few families with young girls and young boys and nobody I know seems to remotely give a shit about the reboot She-Ra. It’s all weird teenagers, shippers, and the type of people that send death threats for people drawing boobs while beating meat to the catgirl in it getting with the main character.Captain Marvel is a box office success and reviewing decently well, but even the critics that like it are leveling criticisms towards how badly shot and done some of the fight scenes and long shots are, and a popular sentient is a lot of the fights have it so that it’s almost impossible to tell what’s happening, which isn’t a criticism unique to Captain Marvel. However, most people that were unthrilled about Captain Marvel before launch…Thought the trailer looked boring (gosh, that’s familiar), or were people raising an eyebrow at how the film’s basically Air Force propaganda. And it’s probably worth saying here, Captain Marvel, or Carol Danvers just isn’t that popular a character and isn’t popular in comics at all. Marvel flagrantly kept trying to astroturf her into an A lister position after they realized they had (at the time), sold off the film rights to a majority of the popular female characters. Most all their popular heroes and anti-heroes and villains that were female are in the X-Men, which was owned by Fox, or in other films in other studios. Cue the pre-Disney buyout reboot of her. Which flopped as a solo title, by the way. Notice how almost all the stuff with Ms Marvel/Danvers Captain Marvel that does well has her as a MEMBER or a side character. She’s a C-level character that came into existence, pre-retcon, because a superpowered Kree’s DNA got mixed with hers in an explosion. She was an emergency replacement, out of universe because of the Captain Marvel DC/Marvel clusterfuck and lawsuits. She’s less a character, and more a device. And this also easily fits under the “needlessly, weirdly antagonistic PR umbrella”nobody that can string together more than a comprehensible sentence does not dislike this things cause there’s women in it, trust me lmao The issue with captain marvel is RT deleting up to 50k reviews from fans that dislike the film. The headlines are “Brie Larson defeats internet trolls!” Calling fans trolls sure does a lot to discourage them from getting into a movie.
80s, Adam Driver, and Adam Sandler: NO ONE WILL WATCH THIS
 No ONE WANTS7
 /S
 UL JUL
 CARES FOA
 THIS
its-bewitched:

trilllizard666:

keyhollow:Story matters more than sex, please always remember that. 
what’s funniest about this comic, I think, is the wildly inconsistent success or complete lack of in the properties and the vast, wild differences between how they were received in the run up to the premier of them as artistic/entertainment propertiesFiegbusters/Ghostbusters 2016 had a PR run that was mostly defined by a weird antagonism where they said detractors are just manbaby basement dwellers that hate women, along with pretty badly done trailers that people compared to Pixels. Remember Pixels? That awful Adam Sandler REMEMBER THE 80S vehicle/scam? That said, unlike Pixels, this Ghostbusters failed to make money. It flopped. It flopped terribly. So Strawman McGee was actually right, Nobody DID Watch This, besides weirdoes that used Holtzmann reaction gifs for a month and kept saying how gay they were for two of the lady Ghostbusters.Star Wars: The Force Awakens was a huge runaway box office success with people excited to see it, even though a lot of people were critical of Rey and how boring she was as a character, in comparison to Finn and Poe, who had a lot more interesting going on with their characters, respectively, and people were excited to see The Last Jedi. Then came the sequel. It was…still a financial box office success, but it was extremely divisive among Star Wars fans and any group of critics that aren’t deeply entrenched “establishment” film critics. And there’s rumors abound it wasn’t quite AS much a box office success as Disney would like, which along with Solo flopping, seems to have resulted in Disney pulling back their Star Wars output a little tiny bit. Possibly.Literally all the reasons that people were apprehensive about Wonder Woman pre-release were all reasons unrelated to her being a woman. She’s one of the most important DC superheroes, a founding member of almost all incarnations of the Justice League, and Frank Miller himself has called part of The Trinity of DC, along with Superman and Batman. People were apprehensive of a Wonder Woman film because almost all the previous attempts to bring Wonder Woman to film or TV have been some sort of disaster, from the Joss Whedon script that leaked that everyone took the absolute piss out of (which had a seriously troubled production that led to the Wonder Woman film we eventually got), to the horrible pilot that makes Wonder Woman into a bizarrely inconsistent crazed murderer. People were apprehensive of a Wonder Woman film because it was part of the badly executed DCEU, with the previous films before this including BvS and Suicide Squad, which were critically SAVAGED. People were looking at a Wonder Woman and dreading it cause they were like “oh god not another one of these fucking awful films”. and then Justice League afterwards was total dogshit. and yeah, there was a bit of controversy about Gal Gadot, but that’s from a mixture of people not being sure she could actually act well enough because she was mostly a model and was in a Fast and Furious film before this, and because she is a proud IDF member, which is kinda controversial because of all the baggage that comes with what the Israeli military frequently does in terms of war crimes. (granted, she was only ever in a non combat role when she served in the military, but come on, this website gave Adam Driver shit for joining the USMC and not doing anything combat related before he got a medical discharge cause he broke his collarbone lmao). it had nothing to do with being a woman.Literally nobody cares about She-Ra except for weirdoes into it, like the beanmouth manchildren animation adherents or the people that uniroically think SJWs are killing everything, and it’s a cheaply made Netflix show. You’d have to almost try on purpose to not make any money from a Netflix show with a low/modest budget. Also I know a few families with young girls and young boys and nobody I know seems to remotely give a shit about the reboot She-Ra. It’s all weird teenagers, shippers, and the type of people that send death threats for people drawing boobs while beating meat to the catgirl in it getting with the main character.Captain Marvel is a box office success and reviewing decently well, but even the critics that like it are leveling criticisms towards how badly shot and done some of the fight scenes and long shots are, and a popular sentient is a lot of the fights have it so that it’s almost impossible to tell what’s happening, which isn’t a criticism unique to Captain Marvel. However, most people that were unthrilled about Captain Marvel before launch…Thought the trailer looked boring (gosh, that’s familiar), or were people raising an eyebrow at how the film’s basically Air Force propaganda. And it’s probably worth saying here, Captain Marvel, or Carol Danvers just isn’t that popular a character and isn’t popular in comics at all. Marvel flagrantly kept trying to astroturf her into an A lister position after they realized they had (at the time), sold off the film rights to a majority of the popular female characters. Most all their popular heroes and anti-heroes and villains that were female are in the X-Men, which was owned by Fox, or in other films in other studios. Cue the pre-Disney buyout reboot of her. Which flopped as a solo title, by the way. Notice how almost all the stuff with Ms Marvel/Danvers Captain Marvel that does well has her as a MEMBER or a side character. She’s a C-level character that came into existence, pre-retcon, because a superpowered Kree’s DNA got mixed with hers in an explosion. She was an emergency replacement, out of universe because of the Captain Marvel DC/Marvel clusterfuck and lawsuits. She’s less a character, and more a device. And this also easily fits under the “needlessly, weirdly antagonistic PR umbrella”nobody that can string together more than a comprehensible sentence does not dislike this things cause there’s women in it, trust me lmao

The issue with captain marvel is RT deleting up to 50k reviews from fans that dislike the film. The headlines are “Brie Larson defeats internet trolls!” Calling fans trolls sure does a lot to discourage them from getting into a movie.

its-bewitched: trilllizard666: keyhollow:Story matters more than sex, please always remember that. what’s funniest about this comic, I th...

Fucking, Target, and Toy Story: cowpants147: pixarsource: How far computer animation has come: Toy Story (1995) // Toy Story 4 (2019) I thought that was a real fucking cat
Fucking, Target, and Toy Story: cowpants147:

pixarsource:
How far computer animation has come: Toy Story (1995) // Toy Story 4 (2019)
I thought that was a real fucking cat

cowpants147: pixarsource: How far computer animation has come: Toy Story (1995) // Toy Story 4 (2019) I thought that was a real fucking cat...