creating


                    
                    
                

                

                

            

        
    







            

            
            

                

                    
                

                

                    

                        


	

	
    

        🔥 | Latest
    

    
    

        

        
        

            






        

            
                
                    
                    


    

        
        
    




                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            







    creating: Justin Kaufman
 @JUSTINMKAUFMAN
 I remember when I first started
 coding, looking at stack traces like
 this thinking, "I'll never understand
 what this means."
 Ten years later, I
 still have no idea what it means.
 But look at me now!
 Justin Kaufman's iPhone 11 Pro Max
 Running NumberTwo on Justin Kaul man's iPhone 11 Pro Max
 Unity-Phone
 NumberTwo
 UnityGfuDeviceworker (35)) 3:CreateRenderPipeline
 NumberTwo:CreateRende rPipeline):
 8x101c552e4 <+:
 Background JobWorker O (17
 Bsckground JobWorker 1 (18)
 Background Job.Worker 2 (19
 Background Job.Worker 3 (20
 Background Job.Worker 4 (21)
 Background Job.Worker 5 (22)
 Background Job.Worker 6 (2 3
 Background JobWorker 7 (24)
 Background Job.Worker 8 (25)
 Background Job.Worker 9 (26
 Background JobWorker 10 (27)
 Beckground JebWerker 11 (28)
 Background Job.Worker 12 t29)
 x28, x27, Esp, 8-x601
 x26, x25, sp, #ex10)
 x24, x23, [sp, ex28]
 22, x21, sp, x303
 x28, x19, tsp, aex48]
 x29, x3e, tsp, a0x50]
 x29, sp, #@x5e
 sp. sp, #0x368
 x25, xe
 stp
 ex101c552e8 <4
 8x101c552e0 48
 stp
 ex101c552fe +12>:
 stp
 8x181c55214 <+16
 êx1eic552f8 +2>:
 8x101c552fc +24?
 8x181c55380 <+28>:
 i8x5e
 ;8x360
 add
 sub
 ex101c55384<+32>:
 ex101c55388 <+36:
 x8, 6023
 x8, [x8, sex2e0]
 11
 adrp
 ldr
 ex101c55310 <+44
 13
 ldr
 x8, [x8)
 x8. [x29, -8x581
 x101c55318<+52
 ex101e5531e <+563
 x8, [x251
 x8, ex181e553e4
 x8, [x25, aex8)
 x8, x101c553e
 w8, tx25, 0x2a
 x8, [sp, #ex8]
 ax101e3fcfe
 15
 +2563 at puProgramsMetal.m
 ebz
 Background Job.Worker 13 (30)
 Background Job.Worker 14 C31)
 ex101c55320 +68>:
 ldr
 +256 at puProgramsMetal.mm
 8x101c55324 <+6:
 cbz
 Background JobWorker 15 (32)
 ldrh
 10
 8x181c55328 +68>:
 8x101c5532c +72
 ex101c55330 +76
 BatchDeleteObjects (33)
 Loading AsyneRead (34)
 UnityOfxDeviceWorker (35)
 20
 str
 : ::GetMe tal0fxDeviceCoret) at GfxDeviceMetal.mm:4101: 13
 b1
 21
 w8, [x25, ex28
 x9, [xe, #ex4818]
 x8, tx9, x8, 1sl #3]
 ldrt
 22
 ex101c55338 <+84):
 êxieic5533c +88>
 ex101c55340 t92>
 ex101c55344 96
 0 lidb unnamed symbol267755
 1dr
 24
 1db unnamed symbol2729ss.
 ldur
 x9, [x8, #exe
 x18, sp. #8x9
 x9, [x1e, exff
 qe, [x8]
 2 ldb unnamed symbol205133
 -0x9f
 26
 13:CreateRenderPipeline)
 stur
 ex101c5534c <+184:
 ldr
 4GetidkMTLRenderPipelineStat..
 x101c55350 <+188>:
 qe. tsp, x198
 NumberTwo)
 29
 str
 15eCachedPipeline
 CommonDrawsetup)
 7DrawBufferRangesPilatform
 UnityGfDevice Worker (35)) 3:CreateRenderPipeline
 0
 Metali Error areating papeline state (Sprites/Detauit) Compiler encounterea an anterna1 error
 (null)2019-11-16 20:19:56.831429-0808 NunberTwo[ 29135:2134922] [Coon] BSMachError: part see3; (os/kern)
 invalid
 2019-11-16 20: 19:56.834555-0880 NumberTwo[29135: 2134922] Unbalanced calls too begin/end appearance transitions
 for <SplashScreenControler: ex11faa5c20
 UnloadTime: 1. 472042 ms
 8 non-virtual thunk to GhDeviceM
 capability Cexi4) "Unable to insert COPY SEND
 9:DrawBuffersStereo
 10 DrawBuffers)
 11RunCommand )
 2819-11-16 28:20:07.208653-8800 NumberTwol29135: 2135846] Compiler failed to build request
 ing pipeline state (Brush/DiffuseDo ubleSided: RasterizationEnabled is false but the vertex
 12 GDericeWorkerAutoreleaseP.
 Metal: Error
 shader"s return type is not void
 (null) Metal: Error ereating pipeline state (Brush/DiffuseDeublesided): RasterizationEnabled is false but the
 vertex shader's return type is not void
 (null) Met al: Failed to get shader entry point
 2819-11-16 20:20:07.211619-e809 NumberTwo[29135: 2135946] Compiler failed to build request
 Metal: Error areating pipeline state (Brush/Special/igglyoraphiteDoublesided): output of type half4 is not
 compatible with a HTLPixelFormatInvalid color attachement
 (nul1) Metal: Failed to get shader entry point
 ze19-11-16 28: 20:17.247672-ee09 NumberTwo[29135: 2135046] Compiler failed to build request
 Metal: Error
 13 RunExt0
 14RunD
 15Run@fxDeviceWorker )
 16 RunThreadWrapper)
 e 17 pthresd stsrt
 com.apple.CoreMotion.MotionThread...
 Loading PreloadManager (37)
 CleudJob.Worker O (40)
 Thread 42
 comapple.NSURLConnectionloader..
 Thread 44
 pismatchino n p er e (Brush/Special/HypereolorDoublesided): Fragment input(s) user(TEXCOORD)
 output typets) or not written by vertex shader
 (null) 2019-11-16 28:20:17-252482-08ee NumberTwo[ 29135 :213se46] Compiler failed to build request
 Metali Errer creating pipeline state (Brush/Standardsinglesided): Frageent inputis) user(TEXCOORDO)
 mismatching vertex shader output typels) or not Written by vertex shader
 (null) (11db)
 Auto O Filter
 Fiter
 All Output
 9:56 AM 17 Nov 19 Twitter for Mac
Understanding stack traces is an art
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                creating: Justin Kaufman
 @JUSTINMKAUFMAN
 I remember when I first started
 coding, looking at stack traces like
 this thinking, "I'll never understand
 what this means."
 Ten years later, I
 still have no idea what it means.
 But look at me now!
 Justin Kaufman's iPhone 11 Pro Max
 Running NumberTwo on Justin Kaul man's iPhone 11 Pro Max
 Unity-Phone
 NumberTwo
 UnityGfuDeviceworker (35)) 3:CreateRenderPipeline
 NumberTwo:CreateRende rPipeline):
 8x101c552e4 <+:
 Background JobWorker O (17
 Bsckground JobWorker 1 (18)
 Background Job.Worker 2 (19
 Background Job.Worker 3 (20
 Background Job.Worker 4 (21)
 Background Job.Worker 5 (22)
 Background Job.Worker 6 (2 3
 Background JobWorker 7 (24)
 Background Job.Worker 8 (25)
 Background Job.Worker 9 (26
 Background JobWorker 10 (27)
 Beckground JebWerker 11 (28)
 Background Job.Worker 12 t29)
 x28, x27, Esp, 8-x601
 x26, x25, sp, #ex10)
 x24, x23, [sp, ex28]
 22, x21, sp, x303
 x28, x19, tsp, aex48]
 x29, x3e, tsp, a0x50]
 x29, sp, #@x5e
 sp. sp, #0x368
 x25, xe
 stp
 ex101c552e8 <4
 8x101c552e0 48
 stp
 ex101c552fe +12>:
 stp
 8x181c55214 <+16
 êx1eic552f8 +2>:
 8x101c552fc +24?
 8x181c55380 <+28>:
 i8x5e
 ;8x360
 add
 sub
 ex101c55384<+32>:
 ex101c55388 <+36:
 x8, 6023
 x8, [x8, sex2e0]
 11
 adrp
 ldr
 ex101c55310 <+44
 13
 ldr
 x8, [x8)
 x8. [x29, -8x581
 x101c55318<+52
 ex101e5531e <+563
 x8, [x251
 x8, ex181e553e4
 x8, [x25, aex8)
 x8, x101c553e
 w8, tx25, 0x2a
 x8, [sp, #ex8]
 ax101e3fcfe
 15
 +2563 at puProgramsMetal.m
 ebz
 Background Job.Worker 13 (30)
 Background Job.Worker 14 C31)
 ex101c55320 +68>:
 ldr
 +256 at puProgramsMetal.mm
 8x101c55324 <+6:
 cbz
 Background JobWorker 15 (32)
 ldrh
 10
 8x181c55328 +68>:
 8x101c5532c +72
 ex101c55330 +76
 BatchDeleteObjects (33)
 Loading AsyneRead (34)
 UnityOfxDeviceWorker (35)
 20
 str
 : ::GetMe tal0fxDeviceCoret) at GfxDeviceMetal.mm:4101: 13
 b1
 21
 w8, [x25, ex28
 x9, [xe, #ex4818]
 x8, tx9, x8, 1sl #3]
 ldrt
 22
 ex101c55338 <+84):
 êxieic5533c +88>
 ex101c55340 t92>
 ex101c55344 96
 0 lidb unnamed symbol267755
 1dr
 24
 1db unnamed symbol2729ss.
 ldur
 x9, [x8, #exe
 x18, sp. #8x9
 x9, [x1e, exff
 qe, [x8]
 2 ldb unnamed symbol205133
 -0x9f
 26
 13:CreateRenderPipeline)
 stur
 ex101c5534c <+184:
 ldr
 4GetidkMTLRenderPipelineStat..
 x101c55350 <+188>:
 qe. tsp, x198
 NumberTwo)
 29
 str
 15eCachedPipeline
 CommonDrawsetup)
 7DrawBufferRangesPilatform
 UnityGfDevice Worker (35)) 3:CreateRenderPipeline
 0
 Metali Error areating papeline state (Sprites/Detauit) Compiler encounterea an anterna1 error
 (null)2019-11-16 20:19:56.831429-0808 NunberTwo[ 29135:2134922] [Coon] BSMachError: part see3; (os/kern)
 invalid
 2019-11-16 20: 19:56.834555-0880 NumberTwo[29135: 2134922] Unbalanced calls too begin/end appearance transitions
 for <SplashScreenControler: ex11faa5c20
 UnloadTime: 1. 472042 ms
 8 non-virtual thunk to GhDeviceM
 capability Cexi4) "Unable to insert COPY SEND
 9:DrawBuffersStereo
 10 DrawBuffers)
 11RunCommand )
 2819-11-16 28:20:07.208653-8800 NumberTwol29135: 2135846] Compiler failed to build request
 ing pipeline state (Brush/DiffuseDo ubleSided: RasterizationEnabled is false but the vertex
 12 GDericeWorkerAutoreleaseP.
 Metal: Error
 shader"s return type is not void
 (null) Metal: Error ereating pipeline state (Brush/DiffuseDeublesided): RasterizationEnabled is false but the
 vertex shader's return type is not void
 (null) Met al: Failed to get shader entry point
 2819-11-16 20:20:07.211619-e809 NumberTwo[29135: 2135946] Compiler failed to build request
 Metal: Error areating pipeline state (Brush/Special/igglyoraphiteDoublesided): output of type half4 is not
 compatible with a HTLPixelFormatInvalid color attachement
 (nul1) Metal: Failed to get shader entry point
 ze19-11-16 28: 20:17.247672-ee09 NumberTwo[29135: 2135046] Compiler failed to build request
 Metal: Error
 13 RunExt0
 14RunD
 15Run@fxDeviceWorker )
 16 RunThreadWrapper)
 e 17 pthresd stsrt
 com.apple.CoreMotion.MotionThread...
 Loading PreloadManager (37)
 CleudJob.Worker O (40)
 Thread 42
 comapple.NSURLConnectionloader..
 Thread 44
 pismatchino n p er e (Brush/Special/HypereolorDoublesided): Fragment input(s) user(TEXCOORD)
 output typets) or not written by vertex shader
 (null) 2019-11-16 28:20:17-252482-08ee NumberTwo[ 29135 :213se46] Compiler failed to build request
 Metali Errer creating pipeline state (Brush/Standardsinglesided): Frageent inputis) user(TEXCOORDO)
 mismatching vertex shader output typels) or not Written by vertex shader
 (null) (11db)
 Auto O Filter
 Fiter
 All Output
 9:56 AM 17 Nov 19 Twitter for Mac
Understanding stack traces is an art
                
            

            
            
Understanding stack traces is an art

            
            
        

    



        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    


    

        
        
    




                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            







    creating: votgs lady-feral
 "The ceramics teacher announced on opening day that he was dividing
 the class into two groups.
 All those on the left side of the studio, he said, would be graded solely
 on the quantity of work they produced, all those on the right solely on
 its quality.
 His procedure was simple: on the final day of class he would bring in
 his bathroom scales and weigh the work of the "quantity" group: 50
 pounds of pots rated an "A", 40 pounds a "B", and so on
 Those being graded on "quality", however, needed to produce only
 one pot albeit a perfect one to get an "A"
 Well, came grading time and a curious fact emerged: the works of
 highest quality were all produced by the group being graded for
 quantity
 It seems that while the "quantity" group was busily churning out piles
 of work-and learning from their mistakes the "quality" group had
 sat theorizing about perfection, and in the end had little more to show
 for their efforts than grandiose theories and a pile of dead clay."
 Art and Fear- David Bayles and Ted Orland (via qweety)
 Perfection is intimidating. I think most artists blocks come from the fear of
 creating something imperfect.
 (via buttastic)
 putting it even more simply: just make shit. eventually itl be good shit.
 maybe most of it will just be shit but you can't make good shit if you're not
 making a lot of shit.
 GET EXCITED AND MAKE THINGS.
 (via aintgotnoladytronblues)
 Kind of important. Ive spent way too much of my life thinking about the
 perfect things I could make without actually making the damned things.
 26,336 notes
 
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                creating: votgs lady-feral
 "The ceramics teacher announced on opening day that he was dividing
 the class into two groups.
 All those on the left side of the studio, he said, would be graded solely
 on the quantity of work they produced, all those on the right solely on
 its quality.
 His procedure was simple: on the final day of class he would bring in
 his bathroom scales and weigh the work of the "quantity" group: 50
 pounds of pots rated an "A", 40 pounds a "B", and so on
 Those being graded on "quality", however, needed to produce only
 one pot albeit a perfect one to get an "A"
 Well, came grading time and a curious fact emerged: the works of
 highest quality were all produced by the group being graded for
 quantity
 It seems that while the "quantity" group was busily churning out piles
 of work-and learning from their mistakes the "quality" group had
 sat theorizing about perfection, and in the end had little more to show
 for their efforts than grandiose theories and a pile of dead clay."
 Art and Fear- David Bayles and Ted Orland (via qweety)
 Perfection is intimidating. I think most artists blocks come from the fear of
 creating something imperfect.
 (via buttastic)
 putting it even more simply: just make shit. eventually itl be good shit.
 maybe most of it will just be shit but you can't make good shit if you're not
 making a lot of shit.
 GET EXCITED AND MAKE THINGS.
 (via aintgotnoladytronblues)
 Kind of important. Ive spent way too much of my life thinking about the
 perfect things I could make without actually making the damned things.
 26,336 notes
 
                
            

            
            
 

            
            
        

    



        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    


    

        
        
    




                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            







    creating: THANK
 You
 eMAELWYTH
maelwyth:

Thank you She-Ra crew for creating such a fun non-binary character! I love them so so much.
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                creating: THANK
 You
 eMAELWYTH
maelwyth:

Thank you She-Ra crew for creating such a fun non-binary character! I love them so so much.
                
            

            
            
maelwyth:

Thank you She-Ra crew for creating such a fun non-binary character! I love them so so much.

            
            
        

    



        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            







    creating: Like I used
 to be."
 THIS WAS
 THE BEST
 THANKSGIVING
 EVER
 WE'D LOVE
 TO HAVE YOU
 STAY, HONEY
 I KINDA
 DON'T WANNA
 LEAVE
 BUT YOU HAVE TO
 MOVE ON TO THE NEXT
 PERFORMANCE
 I'M
 SURE THE
 CIRCUS WILL
 BE BACK IN
 TOWN NEXT
 YEAR.
 WHEN IT IS,
 OUR HOME is
 YOUR HOME.
 ు

 PROMISE?
 OF
 COURSE, I DO,
 SWEETIE
 I'M AFRAID NOT,
 RICHARD. IT WAS
 OUR DAUGHTER'S
 FAVORITE
 VExy FuOLY
 OMe
 SHE'S
 WAITING FOR
 THE DAY WHEN
 SHE CAN PASS IT
 ON TO SOMEONE
 SPECIAL
 THE BOOK
 WAS GREAT.
 CAN I
 КЕЁР IT?
 "КАУ.
 ViExY FROAL
 T've been thinking
 about them a lot,
 Dr. Haas.
 My parents were
 killed before we
 got to go back
 "They're long dead
 now I'm sure, but
 I wish I'd seen
 them again.
 "They were kind
 and decent.
 Even more
 important, they
 were family."
 WELL
 DONE
 IT MAУ TАKE
 YEARS, BUT WE
 ARE PERFECTLY
 POSITIONED FOR
 THE DAY...

 .WHEN
 RICHARD
 GRAYSON 1S
 OURS.
 "WAYNE WILL
 NEVER LET GO OF
 YOU IF YOU STAY
 IN GOTHAM.
 YOU WANT ME
 TO LEAVE?
 MY ONLY GOAL IS
 YOUR HEALTH AND
 HAPPINESS.
 PUT ASIDE
 THE IDEA OF
 RECOVERINGA
 LIFE YOU CAN'T
 REMEMBER...
 THERE'S LITTLE TO
 KEEP YOU HERE AND
 YOUR FRUSTRATION
 IS OBVIOUS.
 ...AND FOCUS
 ON BUILDINGA
 NEW LIFE.
 SO, WHY NOT
 START IN A PLACE
 THAT DOES MEAN
 SOMETHING?
 SOMEPLACE
 LIKE...
 МАУВЕ
 THIS WILL HELP
 YOU CONNECT
 WITH HAPPIER
 TIMES.
 ...BLÜDHAVEN
 IS
 THAT--P!
 I ALSO
 HAD IT AS
 A CHILD.
 KVERY FAADIY
 OWL
 WOW
 THANK
 YOU!
 THE
 IT'S
 JUST LIKE I
 REMEMBER
 IT!
 BUT, uh...
 DON'T YOU THINK
 I'M A LITTLE OLD
 FOR IT?

 NO ONE IS
 EVER TOO OLD
 TO LET THE BEST
 MOMENTS OF THEIR
 CHILDHOOD BE
 THEIR GUIDE.
 YOU CAN THANK
 ME BY CREATING A
 VIBRANT NEW LIFE
 FOR YOURSELF
 IF I KNOW
 WAYNE, HE HAS
 CONTACTS ON
 STAFF
 GOODBYE,
 RICHARD.
 I'LL BE IN
 TOUCH
 YOU WERE
 LISTENING?
 IT'LL BE
 EASIER FOR YOU
 TO DISAPPEAR
 IF YOU DON'T
 SIGN OUT.
 I OWE YOU
 MORE THAN
 I CAN EVER
 REPAY, DR.
 HAAS
 THANK
 YOU.
 OF
 COURSE
 YOUR DRUG REGIMEN
 AND PSYCHOLOGICAL
 MANIPULATION BURIED
 GRAYSON'S MEMORY
 AND LEFT HIM RIGHT
 WHERE WE WANT
 HIM
 WELL DONE,
 DOCTOR.
 THERE'S
 MORE TO BE
 DONE, OF
 COURSE
 BUT
 THE DICK
 GRAYSON OF
 THE PAST...

 IS GONE
 FOREVER.
 "HE'S RICHARD
 GRAYSON NOW, A FRESH
 LUMP OF CLAY, WAITING
 TO BE MOLDED INTO
 WHATEVER WE WANT
 "NOTIFY
 СОВВ.
 Blüdhaven
 45 mi
 LET HIM KNOW THAT
 THE TIME TO MOVE IS
 ALMOST HERE...
 ..AND THAT
 HIS GREAT-
 GRANDSON WILL
 SOON BE HIS."
why-i-love-comics:

Nightwing Annual #2 - “The Very Friendly Owl” (2019)written by Dan Jurgensart by Travis Moore
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                creating: Like I used
 to be."
 THIS WAS
 THE BEST
 THANKSGIVING
 EVER
 WE'D LOVE
 TO HAVE YOU
 STAY, HONEY
 I KINDA
 DON'T WANNA
 LEAVE
 BUT YOU HAVE TO
 MOVE ON TO THE NEXT
 PERFORMANCE
 I'M
 SURE THE
 CIRCUS WILL
 BE BACK IN
 TOWN NEXT
 YEAR.
 WHEN IT IS,
 OUR HOME is
 YOUR HOME.
 ు

 PROMISE?
 OF
 COURSE, I DO,
 SWEETIE
 I'M AFRAID NOT,
 RICHARD. IT WAS
 OUR DAUGHTER'S
 FAVORITE
 VExy FuOLY
 OMe
 SHE'S
 WAITING FOR
 THE DAY WHEN
 SHE CAN PASS IT
 ON TO SOMEONE
 SPECIAL
 THE BOOK
 WAS GREAT.
 CAN I
 КЕЁР IT?
 "КАУ.
 ViExY FROAL
 T've been thinking
 about them a lot,
 Dr. Haas.
 My parents were
 killed before we
 got to go back
 "They're long dead
 now I'm sure, but
 I wish I'd seen
 them again.
 "They were kind
 and decent.
 Even more
 important, they
 were family."
 WELL
 DONE
 IT MAУ TАKE
 YEARS, BUT WE
 ARE PERFECTLY
 POSITIONED FOR
 THE DAY...

 .WHEN
 RICHARD
 GRAYSON 1S
 OURS.
 "WAYNE WILL
 NEVER LET GO OF
 YOU IF YOU STAY
 IN GOTHAM.
 YOU WANT ME
 TO LEAVE?
 MY ONLY GOAL IS
 YOUR HEALTH AND
 HAPPINESS.
 PUT ASIDE
 THE IDEA OF
 RECOVERINGA
 LIFE YOU CAN'T
 REMEMBER...
 THERE'S LITTLE TO
 KEEP YOU HERE AND
 YOUR FRUSTRATION
 IS OBVIOUS.
 ...AND FOCUS
 ON BUILDINGA
 NEW LIFE.
 SO, WHY NOT
 START IN A PLACE
 THAT DOES MEAN
 SOMETHING?
 SOMEPLACE
 LIKE...
 МАУВЕ
 THIS WILL HELP
 YOU CONNECT
 WITH HAPPIER
 TIMES.
 ...BLÜDHAVEN
 IS
 THAT--P!
 I ALSO
 HAD IT AS
 A CHILD.
 KVERY FAADIY
 OWL
 WOW
 THANK
 YOU!
 THE
 IT'S
 JUST LIKE I
 REMEMBER
 IT!
 BUT, uh...
 DON'T YOU THINK
 I'M A LITTLE OLD
 FOR IT?

 NO ONE IS
 EVER TOO OLD
 TO LET THE BEST
 MOMENTS OF THEIR
 CHILDHOOD BE
 THEIR GUIDE.
 YOU CAN THANK
 ME BY CREATING A
 VIBRANT NEW LIFE
 FOR YOURSELF
 IF I KNOW
 WAYNE, HE HAS
 CONTACTS ON
 STAFF
 GOODBYE,
 RICHARD.
 I'LL BE IN
 TOUCH
 YOU WERE
 LISTENING?
 IT'LL BE
 EASIER FOR YOU
 TO DISAPPEAR
 IF YOU DON'T
 SIGN OUT.
 I OWE YOU
 MORE THAN
 I CAN EVER
 REPAY, DR.
 HAAS
 THANK
 YOU.
 OF
 COURSE
 YOUR DRUG REGIMEN
 AND PSYCHOLOGICAL
 MANIPULATION BURIED
 GRAYSON'S MEMORY
 AND LEFT HIM RIGHT
 WHERE WE WANT
 HIM
 WELL DONE,
 DOCTOR.
 THERE'S
 MORE TO BE
 DONE, OF
 COURSE
 BUT
 THE DICK
 GRAYSON OF
 THE PAST...

 IS GONE
 FOREVER.
 "HE'S RICHARD
 GRAYSON NOW, A FRESH
 LUMP OF CLAY, WAITING
 TO BE MOLDED INTO
 WHATEVER WE WANT
 "NOTIFY
 СОВВ.
 Blüdhaven
 45 mi
 LET HIM KNOW THAT
 THE TIME TO MOVE IS
 ALMOST HERE...
 ..AND THAT
 HIS GREAT-
 GRANDSON WILL
 SOON BE HIS."
why-i-love-comics:

Nightwing Annual #2 - “The Very Friendly Owl” (2019)written by Dan Jurgensart by Travis Moore
                
            

            
            
why-i-love-comics:

Nightwing Annual #2 - “The Very Friendly Owl” (2019)written by Dan Jurgensart by Travis Moore

            
            
        

    



        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    


    

        
        
    




                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            






        

            
                
                    
                    
                
            
        
        

            







    creating: Only start creating a lore after
 you already finished half of the
 series and keep adding stuff a
 decade after finishing it
 Steal 90% of your deep lore from
 real life history and other authors
 to fill out your world map
 Create an entire universe with a
 bloody, theological history with
 hundreds of characters and dozens
 of devastating wars, then write a
 childrens book in it
aethelflaedladyofmercia:

Ok like I think people are forgetting something very important about JKR.Namely, she did not make up this stuff after the fact. Back in the day, JKR was extremely open about the fact that there was tons of lore behind the scenes she could not address in the books. She couldn’t address it, btw, because it was a known fact in the publishing industry that young adult novels had to top out at like 250, maybe 300 pages because kids didn’t have the attention span for anything longer. And early HP was middle grade, which is the next age category down. She was only able to start addressing deeper lore halfway through the series because that’s how long it took to convince her publishers it wouldn’t scare readers away.(I distinctly remember another, long-established children’s fantasy author dedicating a book to JKR because the success of HP was the reason said author was able to negotiate an extra 100 pages into that novel.)In the mean time, she was in a ton of interviews. She was absolutely the most open author about her worldbuilding. If a fan asked her a question and the answer wasn’t a spoiler, she answered it every time. JKR was famous for this. She was worshipped for it practically. I remember on the early internet boards, when one fan had the chance to meet her in a Q&A we would all pile together and come up with as many questions as possible. Ask what year Beauxbatons was founded. Ask who the ghost of Hufflepuff is. Ask McGonagall’s age. Ask Lily’s maiden name. Were all the Marauders in Gryffindor? Which of Gilderoy Lockheart’s stories were stolen and which were flat out made up?We collected these interviews, we held them as canon, we altered our fanfic to accommodate what she revealed. And then, all of a sudden, that wasn’t what the fans wanted any more. When she finished HP, she said she was done, that she’d move on to other projects. No one wanted any of her non-HP stuff. No one cared. So she came back to build the Fantastic Beasts verse, with exactly the same policy about answering fans that we had welcomed back in the early 2000s.So, like, you don’t have to enjoy what she’s doing. The fan community has changed, and that’s fine. But JKR contributed a lot to the children’s fantasy genre and to the way fandom operated, and we should at least acknowledge that. 


    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                creating: Only start creating a lore after
 you already finished half of the
 series and keep adding stuff a
 decade after finishing it
 Steal 90% of your deep lore from
 real life history and other authors
 to fill out your world map
 Create an entire universe with a
 bloody, theological history with
 hundreds of characters and dozens
 of devastating wars, then write a
 childrens book in it
aethelflaedladyofmercia:

Ok like I think people are forgetting something very important about JKR.Namely, she did not make up this stuff after the fact. Back in the day, JKR was extremely open about the fact that there was tons of lore behind the scenes she could not address in the books. She couldn’t address it, btw, because it was a known fact in the publishing industry that young adult novels had to top out at like 250, maybe 300 pages because kids didn’t have the attention span for anything longer. And early HP was middle grade, which is the next age category down. She was only able to start addressing deeper lore halfway through the series because that’s how long it took to convince her publishers it wouldn’t scare readers away.(I distinctly remember another, long-established children’s fantasy author dedicating a book to JKR because the success of HP was the reason said author was able to negotiate an extra 100 pages into that novel.)In the mean time, she was in a ton of interviews. She was absolutely the most open author about her worldbuilding. If a fan asked her a question and the answer wasn’t a spoiler, she answered it every time. JKR was famous for this. She was worshipped for it practically. I remember on the early internet boards, when one fan had the chance to meet her in a Q&A we would all pile together and come up with as many questions as possible. Ask what year Beauxbatons was founded. Ask who the ghost of Hufflepuff is. Ask McGonagall’s age. Ask Lily’s maiden name. Were all the Marauders in Gryffindor? Which of Gilderoy Lockheart’s stories were stolen and which were flat out made up?We collected these interviews, we held them as canon, we altered our fanfic to accommodate what she revealed. And then, all of a sudden, that wasn’t what the fans wanted any more. When she finished HP, she said she was done, that she’d move on to other projects. No one wanted any of her non-HP stuff. No one cared. So she came back to build the Fantastic Beasts verse, with exactly the same policy about answering fans that we had welcomed back in the early 2000s.So, like, you don’t have to enjoy what she’s doing. The fan community has changed, and that’s fine. But JKR contributed a lot to the children’s fantasy genre and to the way fandom operated, and we should at least acknowledge that. 


                
            

            
            
aethelflaedladyofmercia:

Ok like I think people are forgetting something very important about JKR.Namely, she did not make up this stuff...