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Bad, Batman, and Joker: Keaton Patti @KeatonPatti I forced a bot to watch over 1,000 hours of Batman movies and then asked it to write a Batman movie of its own. Here is the first page. BATMAN INT. TRADITIONAL BATCAVE BATMAN stands next to his batmobile and uses his batcomputer He's sometimes Bruce Wayne sometimes Batman. Alltimes orphan BATMAN This is now a safe city. I have punched a penguin into prison ALFRED, Batman's loyal batler, carries a tray of goth ham ALFRED Eat a dinner, Mattress Wayne An explosion explodes. THE JOKER and TWO-FACE enter the cave Joker is a clown but insane. Two-Face is a man but attorney BATMAN No! It is Two-Face and One-Face. a bat They hate me for being Batman throws Alfred at Two-Face. Two-Face flips Alfred like a coin. Alfred lands heads up which means Two-Face goes home BATMAN (CONT'D) It is just you and I, the Joker. Bat versus clown. Moral enemies THE JOKER I am such a freak. Society is bad You drink water, I drink anarchy ΒΑTMAΝ I drink bats just like a bat would! Batman looks around for his parents, but they are still dead This makes him have anger. He fires a batrocket. The Joker deflects it with his sick sense of humor. A clOwnly power THE JOKER I have never followed a rule. That is my rule. Do you follow? I don't BATMAN Alfred, give birth to Robin Alfred begins the process since it is his job. The Joker now has a present in his hand. He juggles it over to Batman THE JOKER Happy batday, Birthman Batman opens the present since he's a good guy. It contains a coupon for new parents, but is expired. This is a Joker joke
Bad, Batman, and Joker: Keaton Patti
 @KeatonPatti
 I forced a bot to watch over 1,000
 hours of Batman movies and then
 asked it to write a Batman movie of
 its own. Here is the first page.
 BATMAN
 INT. TRADITIONAL BATCAVE
 BATMAN stands next to his batmobile and uses his batcomputer
 He's sometimes Bruce Wayne sometimes Batman. Alltimes orphan
 BATMAN
 This is now a safe city. I have
 punched a penguin into prison
 ALFRED, Batman's loyal batler, carries a tray of goth ham
 ALFRED
 Eat a dinner, Mattress Wayne
 An explosion explodes. THE JOKER and TWO-FACE enter the cave
 Joker is a clown but insane. Two-Face is a man but attorney
 BATMAN
 No! It is Two-Face and One-Face.
 a bat
 They hate me for being
 Batman throws Alfred at Two-Face. Two-Face flips Alfred like
 a coin. Alfred lands heads up which means Two-Face goes home
 BATMAN (CONT'D)
 It is just you and I, the Joker.
 Bat versus clown. Moral enemies
 THE JOKER
 I am such a freak. Society is bad
 You drink water, I drink anarchy
 ΒΑTMAΝ
 I drink bats just like a bat would!
 Batman looks around for his parents, but they are still dead
 This makes him have anger. He fires a batrocket. The Joker
 deflects it with his sick sense of humor. A clOwnly power
 THE JOKER
 I have never followed a rule. That
 is my rule. Do you follow? I don't
 BATMAN
 Alfred, give birth to Robin
 Alfred begins the process since it is his job. The Joker now
 has a present in his hand. He juggles it over to Batman
 THE JOKER
 Happy batday, Birthman
 Batman opens the present since he's a good guy. It contains a
 coupon for new parents, but is expired. This is a Joker joke
Anime, Period, and Samurai: Anra Follow @AnraNana Critically and commercially acclaimed director Shinichiro Watanabe on colorism in the Japanese anime industry and the importance of diversity and genuine care in creating art. Watanabe: The anime does deal with samurai, and tion to skin color," Watan in the back of my mind I was always woried it would multiple languages. Lots be seen as nationalistic. That is why I made one of the ave white skin- all the ch main characters someone from the Ryukyus, and put ever liked. I wanted to ha in the bit about a person training in China, and had le bit about it. The same foreign characters appear. If you watch the anime, it'sred in multiple languages, clear that it has nothing to do with it. It is not an an ed. ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. dif people weren't used to Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have 10:28 PM - 18 Jun 2019 15,092 Retweets 35,120 Likes Q: This may be a little off-topic, but what do you think of nationalism? Watanabe: The anime does deal with samurai, and in the back of my mind I was always worried it would be seen as nationalistic. That is why I made one of the main characters someone from the Ryukyus, and put in the bit about a person training in China, and had foreign characters appear. If you watch the anime, it's clear that it has nothing to do with it. It is not an an- ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have lots of people coming here from the continent and bringing agriculture with them. When the imperial sys- "I paid a lot of attention to skin color," Watanabe said in The Jazz Messengers. "Also to using multiple languages. Lots of times when you watch anime, the characters all have white skin - all the characters in fantasy stories all have white skin, which I never liked. I wanted to have lots of characters in Bebop without the white skin, and if people weren't used to that, well, maybe it would even make them think a little bit about it. The same was true for languages. I wanted to have lines muttered in multiple languages, but that would have been just too difficult," he laughed. gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT
Anime, Period, and Samurai: Anra
 Follow
 @AnraNana
 Critically and commercially acclaimed
 director Shinichiro Watanabe on
 colorism in the Japanese anime industry
 and the importance of diversity and
 genuine care in creating art.
 Watanabe: The anime does deal with samurai, and tion to skin color," Watan
 in the back of my mind I was always woried it would multiple languages. Lots
 be seen as nationalistic. That is why I made one of the ave white skin- all the ch
 main characters someone from the Ryukyus, and put ever liked. I wanted to ha
 in the bit about a person training in China, and had le bit about it. The same
 foreign characters appear. If you watch the anime, it'sred in multiple languages,
 clear that it has nothing to do with it. It is not an an ed.
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 dif people weren't used to
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 10:28 PM - 18 Jun 2019
 15,092 Retweets 35,120 Likes

 Q: This may be a little off-topic, but what do you
 think of nationalism?
 Watanabe: The anime does deal with samurai, and
 in the back of my mind I was always worried it would
 be seen as nationalistic. That is why I made one of the
 main characters someone from the Ryukyus, and put
 in the bit about a person training in China, and had
 foreign characters appear. If you watch the anime, it's
 clear that it has nothing to do with it. It is not an an-
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 lots of people coming here from the continent and
 bringing agriculture with them. When the imperial sys-

 "I paid a lot of attention to skin color," Watanabe said in The Jazz
 Messengers. "Also to using multiple languages. Lots of times when you watch
 anime, the characters all have white skin - all the characters in fantasy stories all
 have white skin, which I never liked. I wanted to have lots of characters in Bebop
 without the white skin, and if people weren't used to that, well, maybe it would
 even make them think a little bit about it. The same was true for languages. I
 wanted to have lines muttered in multiple languages, but that would have been
 just too difficult," he laughed.
gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT