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Golden: Protecting your right to eat 6 pounds of fried shrimp at the Golden Corral. Meal Team 6.
Golden: Protecting your right to eat 6 pounds of fried shrimp at the Golden Corral. Meal Team 6.

Protecting your right to eat 6 pounds of fried shrimp at the Golden Corral. Meal Team 6.

Golden: babyanimalgifs: Indiana bones: raiders of the lost barkvia @golden.mylokin
Golden: babyanimalgifs:

Indiana bones: raiders of the lost barkvia @golden.mylokin

babyanimalgifs: Indiana bones: raiders of the lost barkvia @golden.mylokin

Golden: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
Golden: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

Golden: Indiana bones: raiders of the lost barkvia @golden.mylokin
Golden: Indiana bones: raiders of the lost barkvia @golden.mylokin

Indiana bones: raiders of the lost barkvia @golden.mylokin

Golden: normal-horoscopes: normal-horoscopes: occultbreakfast: normal-horoscopes: viral-witchcraft: normal-horoscopes: pieandhotdogs: normal-horoscopes: trashcollectshere: normal-horoscopes: alchemicwizard: normal-horoscopes: normal-horoscopes: NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER  - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use. EXACTLY THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM This looks like a fucking board game. OH MY GOD YOURE RIGHT IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES @normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated HANG ON I NEED TO GOOGLE SOME THINGS MERCIFUL NIGHT
Golden: normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT

normal-horoscopes: normal-horoscopes: occultbreakfast: normal-horoscopes: viral-witchcraft: normal-horoscopes: pieandhotdogs: n...

Golden: Golden Girls were ahead of their time
Golden: Golden Girls were ahead of their time

Golden Girls were ahead of their time

Golden: omgcheckplease: ★ Notes on Year 4, Comic 26 - Check, Please ★In the summer of 2013, I was fully mourning my completed time as an undergraduate at Yale. One of the college’s traditional songs—which they strategically have students sing during their first weeks as Yalies and then again at the moment we’re conferred our degrees—goes like this:Bright College years, with pleasure rife,The shortest, gladdest years of life;How swiftly are ye gliding by!Oh, why doth time so quickly fly?Et cetera. The first time you sing it, you mumble the words and don’t know a single person around you. The last time you sing it, wearing the mortarboard and gown, you’ve got the lyrics memorized and you’re surrounded by some of the most important people in your life.That summer, with “How bright will seem, through mem’ry’s haze/ Those happy, golden, bygone days!” still ringing in my ears, I started CHECK, PLEASE. The comic’s first panels emerged on an ancient laptop, through a borrowed bamboo tablet, and on a free drawing program called gnu-IMPShop. I had no plan. I wanted to explore my newfound fascination with hockey and share silly cartoons on Tumblr. But unconsciously, I also wanted to pour the nostalgia of those bright college years into the Haus, Faber, Samwell, and Bitty’s story. I wanted to bottle up those moments where we grow and change and fall down and pick ourselves back up. Drawing CHECK, PLEASE was how I revisited those experiences and how I sifted through the bittersweet feeling of concluding something I loved. Perhaps this is why finishing CHECK, PLEASE calls back those same emotions. Just as Bitty would bake affection into a pie, I might have encoded into CHECK, PLEASE the heartfelt fondness I had for my time in college, the love of the friends I made there, and the gratitude I have for my own growth.I have always found it easier to express gratitude face to face. And even though I would not have gotten to meet all of you, the greatest downside of being unable to participate in a book tour is that I can’t say thanks in person. I could write a thousand words, yet they couldn’t replace a high five at a bookstore signing or a handshake at a convention. I could write the blog post to end all blog posts, but it’s not the same as yelling with you about an episode or chatting about a fandom we both happen be in. For me, it’s those moments that somehow equate to my abundant appreciation for you, the reader.I look forward to the day when I can let my actions speak louder than my words!In the meantime: thank you. I am incredibly blessed to get to create a story and then share it. This is all I want to do in life. These characters get to have a readership overflowing with love and enthusiasm for them. This comic, somehow, has found ambassadors. This story gets to be told. Thank you! I’m excited to share with you the unusual, fun, and hopeful narratives I’m working hard to develop.So with that, I’ll sign off on the last blog post! Thank you for reading this comic. Thank you for sharing it with friends. Thank you for caring about Bitty’s story and CHECK, PLEASE.Thank you!John J. Johnson.Just kidding, it’s Ngozi. :^) Tee hee. Bye now!
Golden: omgcheckplease:

★ Notes on Year 4, Comic 26 - Check, Please ★In the summer of 2013, I was fully mourning my completed time as an undergraduate at Yale. One of the college’s traditional songs—which they strategically have students sing during their first weeks as Yalies and then again at the moment we’re conferred our degrees—goes like this:Bright College years, with pleasure rife,The shortest, gladdest years of life;How swiftly are ye gliding by!Oh, why doth time so quickly fly?Et cetera. The first time you sing it, you mumble the words and don’t know a single person around you. The last time you sing it, wearing the mortarboard and gown, you’ve got the lyrics memorized and you’re surrounded by some of the most important people in your life.That summer, with “How bright will seem, through mem’ry’s haze/ Those happy, golden, bygone days!” still ringing in my ears, I started CHECK, PLEASE. The comic’s first panels emerged on an ancient laptop, through a borrowed bamboo tablet, and on a free drawing program called gnu-IMPShop. I had no plan. I wanted to explore my newfound fascination with hockey and share silly cartoons on Tumblr. But unconsciously, I also wanted to pour the nostalgia of those bright college years into the Haus, Faber, Samwell, and Bitty’s story. I wanted to bottle up those moments where we grow and change and fall down and pick ourselves back up. Drawing CHECK, PLEASE was how I revisited those experiences and how I sifted through the bittersweet feeling of concluding something I loved. Perhaps this is why finishing CHECK, PLEASE calls back those same emotions. Just as Bitty would bake affection into a pie, I might have encoded into CHECK, PLEASE the heartfelt fondness I had for my time in college, the love of the friends I made there, and the gratitude I have for my own growth.I have always found it easier to express gratitude face to face. And even though I would not have gotten to meet all of you, the greatest downside of being unable to participate in a book tour is that I can’t say thanks in person. I could write a thousand words, yet they couldn’t replace a high five at a bookstore signing or a handshake at a convention. I could write the blog post to end all blog posts, but it’s not the same as yelling with you about an episode or chatting about a fandom we both happen be in. For me, it’s those moments that somehow equate to my abundant appreciation for you, the reader.I look forward to the day when I can let my actions speak louder than my words!In the meantime: thank you. I am incredibly blessed to get to create a story and then share it. This is all I want to do in life. These characters get to have a readership overflowing with love and enthusiasm for them. This comic, somehow, has found ambassadors. This story gets to be told. Thank you! I’m excited to share with you the unusual, fun, and hopeful narratives I’m working hard to develop.So with that, I’ll sign off on the last blog post! Thank you for reading this comic. Thank you for sharing it with friends. Thank you for caring about Bitty’s story and CHECK, PLEASE.Thank you!John J. Johnson.Just kidding, it’s Ngozi. :^) Tee hee. Bye now!

omgcheckplease: ★ Notes on Year 4, Comic 26 - Check, Please ★In the summer of 2013, I was fully mourning my completed time as an undergr...

Golden: Golden angel shows off hims new face mask (via: @8daniblu8)
Golden: Golden angel shows off hims new face mask (via: @8daniblu8)

Golden angel shows off hims new face mask (via: @8daniblu8)

Golden: thesassyducks:The golden goose.
Golden: thesassyducks:The golden goose.

thesassyducks:The golden goose.

Golden: Golden Girls always get it
Golden: Golden Girls always get it

Golden Girls always get it

Golden: thesassyducks:A golden & her duck best friend ❤️
Golden: thesassyducks:A golden & her duck best friend ❤️

thesassyducks:A golden & her duck best friend ❤️

Golden: Bringing you Golden Boi (Golden Boy and Golden Girl)via @doggosbeingdoggos
Golden: Bringing you Golden Boi (Golden Boy and Golden Girl)via @doggosbeingdoggos

Bringing you Golden Boi (Golden Boy and Golden Girl)via @doggosbeingdoggos

Golden: Golden angel loves the water Uber (via: @katelyngraham)
Golden: Golden angel loves the water Uber (via: @katelyngraham)

Golden angel loves the water Uber (via: @katelyngraham)

Golden: the-sunflower-one:The beauty of the golden hour
Golden: the-sunflower-one:The beauty of the golden hour

the-sunflower-one:The beauty of the golden hour

Golden: awesomacious: Wish everyone was as cheerful as a golden retriever
Golden: awesomacious:

Wish everyone was as cheerful as a golden retriever

awesomacious: Wish everyone was as cheerful as a golden retriever

Golden: Does this mean we have another islamic golden age coming?
Golden: Does this mean we have another islamic golden age coming?

Does this mean we have another islamic golden age coming?

Golden: Wish everyone was as cheerful as a golden retriever
Golden: Wish everyone was as cheerful as a golden retriever

Wish everyone was as cheerful as a golden retriever

Golden: Finally the golden age of the programmer
Golden: Finally the golden age of the programmer

Finally the golden age of the programmer

Golden: Dark makeup, golden hearts
Golden: Dark makeup, golden hearts

Dark makeup, golden hearts

Golden: Dark makeup, golden hearts
Golden: Dark makeup, golden hearts

Dark makeup, golden hearts

Golden: Stolen but golden
Golden: Stolen but golden

Stolen but golden

Golden: LIVE OET MOET 22 MOFT Knew I had seen this same scene before the golden globes last night
Golden: LIVE
 OET MOET
 22
 MOFT
Knew I had seen this same scene before the golden globes last night

Knew I had seen this same scene before the golden globes last night

Golden: JE Ricky Gervais to celebrities at the Golden Globes: “You’re in no position to lecture the public about anything. You know nothing about the real world.”
Golden: JE
Ricky Gervais to celebrities at the Golden Globes: “You’re in no position to lecture the public about anything. You know nothing about the real world.”

Ricky Gervais to celebrities at the Golden Globes: “You’re in no position to lecture the public about anything. You know nothing about th...

Golden: TA 轉p ETER PAN PIPPILONGSTOKING+LINDGE ATHE WIZARD ERANK Jot OZ OSAUM the Lion ie i theterdenne C.S. LEWIS HOKEEK.TUMBLR.COM Potter LERBY HED HARRY PLEF nestofstraightlines: jabberwockypie: kyraneko: darkmagyk: seananmcguire: nokeek: Dorothy just wanted something that she could believe in,A gray dustbowl girl in a life she was better off leavin’.She made her escape, went from gray into green,And she could have got clear, and she could have got clean,But she chose to be good and go back to the gray Kansas skyWhere color’s a fable and freedom’s a fairy tale lie. Alice got lost, and I guess that we really can’t blame her;They say she got tangled and tied in the lies that became her.They say she went mad, and she never complained,For there’s peace of a kind in a life unconstrained.She gives Cheshire kisses, she’s easy with white rabbit smiles,And she’ll never be free, but she’s won herself safe for a while. Susan and Lucy were queens, and they ruled well and proudly.They honored their land and their lord, rang the bells long and loudly.They never once asked to return to their livesTo be children and chattel and mothers and wives,But the land cast them out in a lesson that only one learned;And one queen said ‘I am not a toy’, and she never returned. Mandy’s a pirate, and Mia weaves silk shrouds for faeries,And Deborah will pour you red wine pressed from sweet poisoned berries.Kate poses riddles and Mary plays tricks,While Kaia builds towers from brambles and sticks,And the rules that we live by are simple and clear:Be wicked and lovely and don’t live in fear        Dorothy, Alice and Wendy and Jane,        Susan and Lucy, we’re calling your names,        All the Lost Girls who came out of the rain        And chose to go back on the shelf.        Tinker Bell says, and I find I agree        You have to break rules if you want to break free.        So do as you like  — we’re determined to be        Wicked girls saving ourselves. For we will be wicked and we will be fairAnd they’ll call us such names, and we really won’t care,So go, tell your Wendys, your Susans, your Janes,There’s a place they can go if they’re tired of chains,And our roads may be golden, or broken, or lost,But we’ll walk on them willingly, knowing the cost  — We won’t take our place on the shelves.It’s better to fly and it’s better to dieSay the wicked girls saving ourselves. (Seanan McGuire) This is breathtaking. I heard this poem once a million years ago, I have been looking for it ever since, and had now found it.  I love it so much more then I remember.  You might be interested to know that she set it to music and it’s also a song. @darkmagyk And people have made fanvids set to it! (The CD is out of print right now - I have it and I love it so much, but I she’s re-printing a different one … soonish?) Mmmmm I get it but I’m not sure about the implication that real life is an inherent punishment for girls, and I find this kind of feminist take a little reactionary and keen to flatten out female characters and their stories into simple terms to make a kind of Yass Queen point. Anyway here’s a video I love examining the differences in feminist-related theming between the book and movie of The Wizard of Oz https://www.youtube.com/watch?v=hz15yFVF1TI And here’s a Hark! A Vagrant comic that is very much that’s-it-that’s the-book re. Alice’s Adventures in Wonderland:
Golden: TA
 轉p ETER PAN
 PIPPILONGSTOKING+LINDGE
 ATHE WIZARD ERANK
 Jot OZ OSAUM
 the Lion ie i
 theterdenne
 C.S. LEWIS
 HOKEEK.TUMBLR.COM
 Potter
 LERBY HED
 HARRY PLEF
nestofstraightlines:

jabberwockypie:

kyraneko:

darkmagyk:

seananmcguire:

nokeek:

Dorothy just wanted something that she could believe in,A gray dustbowl girl in a life she was better off leavin’.She made her escape, went from gray into green,And she could have got clear, and she could have got clean,But she chose to be good and go back to the gray Kansas skyWhere color’s a fable and freedom’s a fairy tale lie.
Alice got lost, and I guess that we really can’t blame her;They say she got tangled and tied in the lies that became her.They say she went mad, and she never complained,For there’s peace of a kind in a life unconstrained.She gives Cheshire kisses, she’s easy with white rabbit smiles,And she’ll never be free, but she’s won herself safe for a while.
Susan and Lucy were queens, and they ruled well and proudly.They honored their land and their lord, rang the bells long and loudly.They never once asked to return to their livesTo be children and chattel and mothers and wives,But the land cast them out in a lesson that only one learned;And one queen said ‘I am not a toy’, and she never returned.
Mandy’s a pirate, and Mia weaves silk shrouds for faeries,And Deborah will pour you red wine pressed from sweet poisoned berries.Kate poses riddles and Mary plays tricks,While Kaia builds towers from brambles and sticks,And the rules that we live by are simple and clear:Be wicked and lovely and don’t live in fear
        Dorothy, Alice and Wendy and Jane,        Susan and Lucy, we’re calling your names,        All the Lost Girls who came out of the rain        And chose to go back on the shelf.        Tinker Bell says, and I find I agree        You have to break rules if you want to break free.        So do as you like 

— 

 we’re determined to be        Wicked girls saving ourselves.
For we will be wicked and we will be fairAnd they’ll call us such names, and we really won’t care,So go, tell your Wendys, your Susans, your Janes,There’s a place they can go if they’re tired of chains,And our roads may be golden, or broken, or lost,But we’ll walk on them willingly, knowing the cost 

— 

We won’t take our place on the shelves.It’s better to fly and it’s better to dieSay the wicked girls saving ourselves.
(Seanan McGuire)

This is breathtaking.

I heard this poem once a million years ago, I have been looking for it ever since, and had now found it. 
I love it so much more then I remember. 

You might be interested to know that she set it to music and it’s also a song.

@darkmagyk And people have made fanvids set to it! (The CD is out of print right now - I have it and I love it so much, but I she’s re-printing a different one … soonish?)

Mmmmm I get it but I’m not sure about the implication that real life is an inherent punishment for girls, and I find this kind of feminist take a little reactionary and keen to flatten out female characters and their stories into simple terms to make a kind of Yass Queen point. Anyway here’s a video I love examining the differences in feminist-related theming between the book and movie of The Wizard of Oz https://www.youtube.com/watch?v=hz15yFVF1TI
And here’s a Hark! A Vagrant comic that is very much that’s-it-that’s the-book re. Alice’s Adventures in Wonderland:

nestofstraightlines: jabberwockypie: kyraneko: darkmagyk: seananmcguire: nokeek: Dorothy just wanted something that she could belie...

Golden: aloneandforsakenbyfateandbyman: The Golden Age of Neglect by Ed Templeton, 2004
Golden: aloneandforsakenbyfateandbyman:


The Golden Age of Neglect by Ed Templeton, 2004

aloneandforsakenbyfateandbyman: The Golden Age of Neglect by Ed Templeton, 2004